/ˈekfrəsəs/
noun

the use of detailed description of a work of visual art as a literary device.

Ekphrasis is a rhetorical device in which one work of art tries to relate to another work in a different medium.

Born in Pennsylvania in 1956, Don Joint studied at the Maryland Institute College of Art and Chautauqua Institution and has exhibited nationally and internationally since 1992. His work has been reviewed in The New York Times, Art in America, The Observer, Art News, and The Paris Review. Joint's works are also in the collections of many major American museums.

Joint's masterly mixed-media collages and paintings follow a painterly exploration of Ekphrasis. Joint does this by defining and describing the inspiration’s essence and form, and in doing so, relating it more directly to a contemporary audience.

Specifically, Joint’s initial inspiration evolved from John Keats’s poem "Ode on a Grecian Urn." In 1819, Keats was inspired by the Grecian Urn and wrote his famous poem that has influenced numerous poets and artists over the years. Joint feels that Ekphrasis gives the artist the basis of inspiration in another’s creative endeavors. This approach frees him to refine and go beyond merely an “homage” to another work of art. “My challenge is to create works of art inspired by classical themes and compositions and thereby create a new expression that relates to current contemporary culture.”

Joint’s 2014 Coney Island Blueprints series synthesizes elements from Japanese Ukiyo-e prints and industrial renderings of Coney Island Amusement Park rides, to create a fantasy world in which viewers can narrate their own fantasies. This Carnivalesque treatment is a visual return to the artist’s boyhood memories of the historic Pennsylvania amusement park, which expanded upon a series of intimate, poetic collages, which was present in his 2010 Waldameer series. Gestural washes of paint and ink abound in a decidedly high-key palette of vibrant jewel tones intersected by sharp lines of saturated color. Joint layers pasted images of exotic fish, carnival tickets, Japanese woodblock prints and other printed evocations of play. Joint also explores mischief and whimsy through a series of collages featuring the children's book character Uncle Wiggily and a nod to Carnival side shows in his Boys in a Bottle; How do they do it, it's anyone's guess.

Within the past year, Joint has showed at Galerie Marion Meyer in Paris France, Childs Gallery in Boston, MA, The Evergreen Museum, MD and Thomas French Fine Art showed Uncle Wiggily and the Pill Popping Pin-Up at the 25th edition of LA ART.